EVIDENCE began as an attempt to make the invisible visible — to chart the emotions, intuitive leaps, and subconscious impulses that quietly govern every decision in the making of a work of art. Using AI diffusion models, custom scripts, and image analysis tools, I built a methodology oriented not around what to make, but how and why making happens at all. The resulting images are the product of that inquiry: data visualizations that surface the recurring strata, structures, and tensions woven through centuries of artistic practice. Each piece stands as a work in its own right — a visual artifact of a process turned inward on itself.

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